Analysis of Cultural Diversity in Robert Redford’s
The Milagro Beanfield War
In Robert Redford’s The Milagro Beanfield War, entrepreneur Ladd Devine uses wealth and elected officials to manipulate a Hispanic working-class community in building a recreation center. Areas of race, class, gender, and ability are all portrayed throughout the film—the most prominent area being the issues of the upper and lower classes. Does Redford’s depiction of war between classes reach a dominant reception or will situations and characters only appear as stereotypical and nonnegotiable interpretations? Taking a closer look and analyzing the literary and visual designs (among other technical aspects) may reveal the miracle beanfield a true sensation inspired by the heroism of a united people and a little bit of magic.
Immediately the name of Robert Redford may yield great attention. The acclaimed actor made his big break as “The Sundance Kid” and would go on to becoming a director earning an Academy Award in 1981. Eight years later he adapted John Nichols’ Novel of the Southwest into The Milagro Beanfield War;a film that tells of one man’s rugged individualism as he struggles to defend his small beanfield and his community against big business and political interests.
The cultural diversity observed kicks off with the predominantly Hispanic and Catholic fictional town of Milagro (miracle in Spanish). Heredwell the lives of Amarante Cordova, a stubborn old man who talks to an angel and dead saints; Joe Mondragon,a farmer out of work; Charlie Bloom, an unsuccessful lawyer who runs a bimonthly newspaper, and Ruby Archuleta the female mechanic—all of them, in one way or another, have something to do with a beanfield that is making a whole lot more trouble than it is actually worth.
The issue at hand, as one might think, doesn’t really have anything to do with the fact that most of the characters in the film are Hispanic and Catholic, but rather they are all under-waged working-class citizens who are Hispanic and Catholic. As if they are only good for is running a small town, farms, and construction, the stereotypical situation hardly gives them any credit for being capable, hardworking, and successful individuals. All the same, they still manage to band together and fight against the injustice set upon them by evil white men who are politicians and running big business—revealing that the lack of success and prosperity really come from the repression of a corrupt upper class that consists of dominate white patriarchal capitalists.
Gender roles are also explored in the film. The dominant masculinity expressed in the film is the irrational use of guns and violence while the intellectual and leading activist is the female mechanic. Rudy Archuleta is the primary voice against Ladd Devine and his plot to slowly end every man, women, and child’s way of life in Milagro while, Joe Mondragon represents a rugged, angry, struggling criminal nearly killing the people he’s fighting for.
What the people don’t realize is that along with the overpriced water for irrigation, their taxes will also be going up if the Miracle Valley recreational center is built—leaving them soon out of work and out of home with all their money going into the pocket of the state and Ladd Devine. This issue is soon realized when Joe decides to sow bean seeds with water he doesn’t own creating a spark of rebellion and independence. Before the people relied on Devine for work in construction, but when Joe cannot get a job, he takes matters into his own hands inspiring his small community and striking fear for the big profitable business.
Considering this issue from a more rational approach, Ruby wants to run an article in the newspaper to inform the people of not just Joe’s act of rebellion but also the consequences of the recreation center. She tries to leave it up to the discretion of Charlie Bloom to write the article, but Charlie plays the role of a bitter lawyer who won’t succumb to the women’s demands. In turn Ruby threatens to write her own article that Charlie later claims would get them sued for liable (perhaps stereotyping the irrational and forceful tone of women). Later on, Ruby tries to call for a town meeting to democratically address the issue beginning it with a rhetorical speech to call into action an organization that would preserve the land. It is worthy to note that when someone nominates her to be the organization’s president, a member of the community states that she couldn’t because she’s a woman.
Finally there is an issue of segregation among Milago’s own people between generations and the abilities of the elderly. Along with that, there also appears to be an issue being tied with a member of the community with only one arm.Both are depicted as being delusional as the oldest man in town talks to the heavens and the man with one arm is still searching for the missing one despite the accident occurred long ago. In the end, they are town heroes very capable of holding their own.
Robert Redford directed a film that encompasses great cultural diversity between social classes and generational values by telling the story of a hypothetical and fictional event.Romanticizing audiences with discourses of an elderly man and an angel, Redford still manages to reveal a believable community with believable problems. The magic involved does not entirely take the film into a direction of being a fantasy, but rather the divine having an influence over the fate of the people. This is done mostly through the visual design of miraculous events being closely tied to the presence of the Angel. There is still a feeling of doubt as when seen with the older man by the objective view of another; the Angel appears to no longer be there. This is all accomplished by editing two shots together. For example, there is a scene where one shot features the Angel talking to the old man for a couple of takes and then vanishes once another character enters featuring the old man as talking to himself.
The use of location is also quite effective as the film was shot in the location indicated by John Nichols’ Novel: Milago is a town near the New Mexico Mountains. This adds to the realism of the setting by shooting on location. The time period would most likely be set during the time of the making of the film in the late 80’s. This could add an appeal to have a close relationship with the film as it takes place during a time audiences could relate. Modern viewers may not find it as appealing although the issues at hand may still be relevant.
The Milago Beanfield War empathically deals with social issues of a time through the eyes of those who experience hardship while gaining a hope in the divine and each other. The rolls of the people limit themselves only to the capacity of the mind. No matter the class, gender, or personal ability, nothing can or should stand in the way of social justice. Although violence appears inevitable, it is the inspired will of the people and their passionate heritage that wins in the end making a modern magic bean story yet another tale to learn from.
The Following is a film analysis (not a review or synopsis) I performed as a part of my Intro to Film course at the University of North Texas. Throughout this analysis I have assumed the reader is familiar with the film in question and would also caution that it is not a film I would normally recommend. However, there can still be a lot to learn from a Hollywood narrative while observing the more prominent theme of “Isolation from Adulthood”. The Graduate, although a 70’s classic, contains adult themes and content wherefore viewer discretion is advised.
A Theme of Suffocation
Mike Nichols’ The Graduate formally introduces a thematic portrayal of social isolation through the eyes of Benjamin Braddock, the college graduate who is worried about his future.Early in the film, Benjamin sits alone in his room while a congratulatory party awaits him outside. A more isolated miniature scuba diver figurine in a fish tank stands behind him, foreshadowing a sequence in the film desiring even closer attention. Isolation from adulthood appears as one of the most prominent themes throughout the film, and the analysis of this sequence will allow for a better understanding of its design. All five formal axis of Hollywood cinema shall be taken in close account beginning with the literary design.
Dressed in California Contemporary Sport style, the Braddocks are celebrating Benjamin’s twenty-first birthday. The scene opens with Benjamin’s father announcing to everyone the unveiling of the “Afternoon’s feature attraction.” Benjamin is hesitant to come out and embarrass himself as he sounds to be having second thoughts about his birthday present. Left with no choice, Benjamin comes outside wearing a diving suit and is led to his new underwater habitat. His naïve and undisclosed desires are repressed to captivating depths.
Throughout the entirety of this sequence, there is an almost nauseous and tantalizing tone overwhelming the obvious pride of Benjamin’s father and the forceful nonsense Benjamin has to put up with. He’s finally done it. He’s raised a boy into a young man of 21 with a college degree and honors almost claiming as if they were all his own achievements. And yet the reality of the situation is the timid Benjamin who looks all but dashing and confident in his birthday suit. Benjamin’s choices have been made for him all his life leading him on to becoming the morally drifting and indecisive degenerate at the bottom of the pool. Like the little scuba doll in the fish tank, Benjamin is nothing more than a piece of materialistic value to cling to.
The dialogue comprises mostly of Benjamin’s father along with the annoyed, impatient banter from the audience and the subtle protests of Benjamin waiting in the kitchen. Benjamin’s father sounds like the ring master of a circus but is soon cut off when Benjamin walks out of the kitchen and the perspective is taken all from his point of view. Behind the mask, nothing can be heard other than the loud gestures of Benjamin’s father and the breathing apparatus. Led to the pool, Benjamin takes a plunge and is forced under by his father’s mindless and vicarious self-indulgence.
The Graduate is a very appropriate title as the story is about that of a graduating college student, but the title could also be interpreted as the sign of a new era: graduating not only from college but also into the adult class. The irony of it all, however, is although Benjamin Braddock has finished his college education, he’s still left as unsure and insecure as when he was a child—he has graduated but he hasn’t really “grownup.”
The visual design takes the literary design further. With the establishing shots and use of angles, it is only clear of what mood needs to be felt during this sequence and what is to be interpreted based on the visualization of the words of a script to pictures on a screen. From the young and hip clothing a much older generation is wearing to the mature and committed clothing of the younger generations throughout the film there would seem to be a battle being waged between the materialistic and the intellectual. Among the more impressive shots would be whenthe perspective of the viewer is taken behind the mask and through the eyes of Benjamin adding not only creativity to the shot but also the symbolic meanings behind Benjamin’s mask of isolation and narrow vision. Of course, this all ties in very well with the cinematography of the sequence following a very formalistic style with the precision of American Society of Cinematographer’s Robert Surtees.
The film was shot on Panavision 35mm anamorphic film using an anamorphic lens attaining a very wide field of view and a classic Hollywood frame. What this also achieves is subjecting audiences to more than just a single subject; however, close-ups remained the most effective and used shot. The most sticking shot used in this sequence is when Benjamin walks out in his Scuba suit toward the camera looking almost directly into the lens and breaking the fourth wall. Benjamin’s body fills the frame and the shot is changed to his perspective—literally through the mask. Finally, the camera is submerged underwater (which would require special underwater housing for the entire body of the camera) and the final shot is a wide shot of Benjamin left alone under water. All these shots were carefully edited together into a story told by Sam O’Steen.
The sequence and the voice of Benjamin’s Father is actually heard “off-camera.” In other words, the editor implanted the use of a “J-cut” and does so again when the scene ends when we hear Mrs. Robinson begin a conversation with Benjamin over the phone. What this accomplishes (especially at the end of the sequence) is allowing the viewers into the head of the protagonist, almost literally allowing them to hear Benjamin’s thoughts along with seamless transitions from one sequence to the next. A “reverse” cut is also used breaking the line of action but allowing the use of the “reverse shot” when Benjamin walks toward the camera and then transitions to his point of view and through the scuba mask. The sequence finally ends with a montage of Benjamin going into the pool, being forced down under, and then left alone in a human sized fish tank with Mrs. Robinson a phone call away.
Having analyzed almost every aspect of this sequence, a discussion of the sound design could not be left out. Realizing the importance of sound only to the point of being able to hear the dialog leaves out the actual importance and use of silence among other effects. Although the dialogue serves as a driving force for this sequence, the most memorable scene is when nothing can be heard at all except Benjamin’s breathing apparatus. This silence and not being able to hear outside of the mask could indicate more toward the theme of isolation and Benjamin’s self election to drown out the noise tying close to Simon and Garfunkel’s The Sound of Silence which opens the film. This could also be interpreted as the silence that dwells in and around Benjamin’s life giving him a “no one listens and no one cares” mentality.
The Isolation Benjamin Braddock faces among his adult peers may have everything to do with the large gap between generations; he either cannot hear or will not listen and this is demonstrated well through the analyzed sequence. Although this single part certainly will not do entirely on its own to tell a story; it still plays a powerful roll in gaining a better understanding of the themes involved leading to a mosaic of motifs and overall the bigger picture. From the figurine in the fish tank to the drudge in the pool, Benjamin’s nothing more than property with no future to call his own.
A friend of mine once quoted,
“The quickest way to make money with photography is to sell your camera”
Food for thought. . .
What I’m about to share with you is most of what I know in my heart about what makes a good photograph. It is something instilled so deep that I cannot simply give it away. It isn’t merely a gift either; it is a privilege, a pleasure, and an everyday pursuit of mastery. Keep in mind that these basic principles I am about to share are applicable in most if not all situations regardless of what type of camera you may have. Though I will say owning a camera with manual settings will reap the most benefits and most of what I will discuss pertains to digital photography while not so much as film.
Composition and Balance is key.
To obtain optimum exposure, the aperture and shutter speed must be balanced.
To tell a story, your composition must have depth.
These are two main goals of a photographer: know them well.
At first these steps may seem slow to follow one after another as you think about what to do next, but after awhile they will start to become second nature as you practice and you will begin to follow them almost subconsciously and in a much more fluid way. Before long you may find your self adjusting settings without even realizing it and had already taken the perfect shot.
There is a religious saying in digital photography of mine that goes,
“Always shoot RAW and always shoot manual”
One reason: Control.
Control: The more control you have over your camera, the light, and your subject, the better your photography will turn out. However, we cannot always be in as much control as we would like so we improvise, adapt, and prepare for what we cannot imagine because anything can happen and anything that can go wrong will.
Confidence: Be confident in taking your photos; make it your passion, and let the resonance of your passion swell and splash amongst everything around you. Let the very nature you capture hear you proclaim its beauty and how much you enjoy taking its picture.
Organization: look for patterns, symmetry, texture, lines, and depth. Photography already being a flat medium requires you to make it deeper than a piece of paper or an image on a screen. Naturally, photography tells a story—realistically, your composition only imitates life but it still can transport your audience only as effectively as your composition will allow. Each of the elements stated above can be used to direct attention and create a field of vision that encompasses the desired subject matter and story you wish to share.
Balance: Your exposure is based on two things: 1. Aperture and 2. Shutter speed. Let the dial in your view finder be your guide and find your balance between your chosen aperture and the shutter speed. Be willing to adapt and be knowledgeable of what works best in varying situations. When in the dark, the iris of our eye increases in size to let in more light and in direct sunlight it decreases in size; so should our camera’s aperture when adjusting to these situations. Timing of an exposure will also be crucial so be prepared to adjust your shutter speed as well and know that the longer the exposure the more motion blur will occur which can be both negative and positive depending on the shot.
White balance is also important. Understand that Sunlight and Artificial Light give off two different colors and we need to adjust our cameras accordingly–although there are automated settings, they don’t always turn out the best. The best way to avoid taking pictures with the wrong white balance is to know the proper settings and to shoot in RAW. Camera RAW samples an image at all temperatures of light (among other variable settings including exposure) and saves them into the memory allowing the user to manipulate the white balance later in post production.
Technology: Digital cameras are rather smart and have very helpful automated settings; however, they still lack the artistic vision of the complex human mind. The better we understand not how the technology works but rather how to use the technology to our advantage is most essential. Understanding ISO ratings for instance may help in low lit situations but also understanding that adjusting these settings can affect the quality of your image is also important. The higher your ISO, the more sensitive your sensor will become; the more sensitive your sensor becomes, the more likely it will make mistakes and create noise in your image degenerating the quality but allowing you to see better in the dark. For bright sunlight, try to use the lowest ISO possible, and for dark situations, use an ISO rating that develops the least amount of noise but still gives a bright and clear enough image. Touching back on automated settings, be able to know how to use both automatic and manual focus, and know that using “aperture priority” or “shutter priority” vs. going completely manual can save a lot of time and guess work–remember, “Balance is key.”
Creativity and Ascetic: Although art may be subjective, know where your inspiration comes from and why. Then let all that influences your life flow through you with ease and allow it to navigate your way into an artistic vision with an intending purpose. Use all that surrounds you, both in the past and present making note and borrowing what you can from others along the way. There is nothing new under the sun, so do not be afraid of originality or taking another’s idea—only be prepared to use your perfectly unique conscience to take your creativity and make it your own.
Make Mistakes: One of the only real ways to learn is to fail and to fail miserably. What’s important though is that you learn from your mistakes and keep on keeping on. It’s truly one of the best ways to learn because you can only get better as long as you elect to. And experimentation is always allowed. Though balance has been described up until this point as a critical aspect of a good photograph, allow your muse to turn the balance upside down every once in a while and reveal the world in a different light and with new perspective.
Collaboration: As much as it is important to have a sense of independence, self-reliance, and self-respect, know who your community is and let them be a part of your artistic family. Although the thought of competition at times may seem brutal, your willingness to collaborate and learn from others will be most beneficial along with a diverse network of talented individuals who will refer your credibility.
Remember to be in control and confident about your work; you must be passionate! Be organized and balanced; you must be ready for anything! Know that technology is every bit a part of our organic body and understand its limit of creativity–being creative is believing you are unique and capable of incredible imaginative vision that only your conscience possesses and be willing to share it with the entire world. Know these things, understand these things, and believe in your abilities.
Finally, wisdom comes from experience so go and do.
Of course, I wish you the best and godspeed.
I was required to write a biographical sketch as a part of my application to Summit Ministries. This was required, of course, because I’m hoping to be accepted as a video production intern for the entirety of this upcoming summer. I’d like to share a little bit of what I wrote because writing has little worth if only seen by a few eyes in my opinion and I rather not have any of my writing go unpublished. I hope you can take from this as much as I hoped to put into it–a vignette, if you will, of merely part of my life’s work.
I came into a personal relationship with Jesus Christ when I was eight years old. At the time I described to my father my fear of dying and losing loved ones. I was terrified of the fact of death because I didn’t understand fully what happens and the thought of never being able to live again was unbearable. This was all due to a recent funeral my family attended of a distant family member and I had lots of questions that needed answers. Of course, I was privileged to have grown up in a Christian home; and that night, with tears in my eyes, I called out to my earthly father who then shared with me the story of Christ and how much my Heavenly father loved me so much that he humbled himself as a man and died on a cross for my transgressions. None of it really made that much sense before until that night. From then on I looked at life from an entirely different angle; I accepted Jesus as my Lord and Savior. The stories I heard in early Sunday school were not just stories anymore—they were chronicles of an epic journey made by incredible people. The Bible is full of history and fulfilled prophecies ultimately revealing God’s handy work in all of creation and His perfect plan for redemption by conquering death and freeing us from our sin.
Like any Christian walk, everyday is a day to further one’s sanctification, I believe my faith grew the strongest during my teen years, for at that time I experienced many trials and temptations that challenged and overall enforced my walk with Christ and His influence over my life. One of my favorite books of the bible is the book of James. I once heard it described as “The proverbs of the New Testament” and it is there I turn to most for answers in trying and hard times. My life verse is James 1:2-4 …
“My brethren, count it all joy when you fall into various trials, knowing that the testing of your faith produces patience. But let patience have its perfect work, that you may be perfect and complete, lacking nothing.” (NKJ)
Further on in this chapter, James goes on to talk of wisdom and that if any man lacks of it, that he should ask it of God who gives to all men freely. I know with all the knowledge and understanding the world has to offer I could never be fulfilled or truly happy without the Lords wisdom and guidance in my life. Other readings I have enjoyed and have had great impact in my life are “The Pilgrim’s Progress” by John Bunyon, “The Chronicles of Narnia” by C.S. Lewis along with his many other works, and “Understanding the Times” by David A. Noebel.
The desire to work for Summit Ministries this summer is a strong one to say the least. I am always keeping my heart open to opportunities like this. It has been my dream to one day film and produce narratives and documentaries alike with the message of Christ in them. I’ve also had the passion and desire to teach what I know on both personal and technical levels. Being the eldest of six siblings has had a major impact in my own interest to raise and lead a family. As I am still young and unmarried, much of this desire has been fulfilled quite simply by being an older brother, helping and teaching my younger siblings with what it means to be a child of God and that with the capacity to read and learn all that which is in the will of the Lord can be achieved. I can see doing this at Summit but with an opportunity to grow and learn from others just as well.
The most recent experience I have had with Christian service was a mission trip to the Rio Grande Bible Institute and producing a series of videos for the West Houston Pregnancy Help Center.
Late in the summer of 2010, members of Katy Bible Church, one of my brothers, and myself traveled very near to the Mexico border to aid and assist the Rio Grande Bible Institute in various tasks including striping and re-waxing an auditorium floor; scraping linoleum tile, removing a cinder block wall, and installing sheet rock in one of the dorm rooms. This was all done for the returning students of the fall semester who have dedicated their lives in the theological study of God’s Word and sharing it on a multicultural level, especially to the Spanish speaking communities. One of the most interesting aspects of RGBI’s ministries was their radio station where they broadcast the good news of Christ on a frequent basis to not only the school and surrounding area but also clear across Mexico and as far as South America where in some countries it isn’t even legal to send the Gospel in such a manner. Although I didn’t feel like I was ministering specifically to people while physically there. I know the work we did will speak greatly to the students who eventual returned along with those yet to come and those they minister to. One of the great lessons I learned while on this trip was that with even the mundane of things, God can do marvelous and magnificent work. My brother and I also became very close to two of Katy Bible’s leading elders, Barry Hays and Danny Snyder. It was a privilege and a pleasure to work with these two men and I’m looking very much forward to an opportunity like this again.
While all of this was going on, a very close friend of mine who is a very talented photographer had been coordinating and consulting with me concerning his Eagle project for the West Houston Pregnancy Help Center. His name is Stephen Herbert and he decided to produce a series of videos that would help train and recruit volunteers; inform and guide future and current clients; and with the hope of sharing the Gospel and saving the lives of the unborn at risk of abortion. Stephen did an amazing job directing the entire project, and I was privilege to have been a part of the production as a primary consultant and editor. Over the entirety of the summer, he and I spent several hours sifting through and editing footage of what eventually would become a series of videos made for online distribution and clips later authored to DVD. We used primarily Adobe products including Photoshop, Premier Pro, and Encore. Stephen and I learned so much from this project and I am pleased to report that his project was a major success in regards to both his career as a Boy Scout and the Pregnancy Help Center.
All of what has been stated so far has a lot if not everything to do with how I view the World. The need of a critical and discerning mind is especially relevant in today’s society due to the rise and increase of accessible information. I believe the internet, mass media, and current political agendas are hefty evidence to the changing times and desire of global conformity. This postmodern era of likeminded thinking is a dangerous one, for there can only be one ultimate authority to the existence of the universe. I for one am thoroughly convinced of the Lord God, Yahweh/Jehovah, His most Holy Spirit, and the redeeming fellowship and blood of Jesus Christ. Through His word, the Logos, all of this is revealed, and by only His word can truth be found. It’s easy to have one’s faith pushed aside, judged, and compared to lesser thinking. The culture we live in—as citizens of not just the United States but also the entire world—is a conglomerate of thinking in desperate need of sifting. Furthermore, having a better grasp of not only one’s own worldview thinking but also that of others can help us understand where our fellow man is coming from. We must not only know what our brethren believe, but whom they believe in and why. Only then can we effectively reach out and ultimately reveal the truth. Of course, I also believe that although our efforts can be highly influential to society, there is no change without the work of the Spirit; wherefore, it is even more necessary to have the capacity to pray. I believe to change a man’s mind is impossible; to influence his mind is essential. By living as godly examples, by living pure and undefiled lives, and by loving one another with an agape love we can make a difference.
( through audio/visual mediums)
I wanted to take a moment and share a little bit about some of the things I am doing towards the benefit of myself and society.
As many of you know, I am a radio, television, and film major currently studying at University. Part of my vision in study and application is to communicate inspiring and motivational ideas through film and media. Of course, I also have some interest in the entertainment business, however, it is based solely on that of integration, unity, and discovery: not this mindless amusement we find coming out of Hollywood today.
With that said, I am also looking forward to using my passionate interest, talent, and abilities to aid local and one day national entities dedicated to the those in need on both local and global scales. My service would be based on non-for-profit motives and all donation towards a given project would be solely used toward the production of a high quality film that communicates the ideas, mission, and success of a given charitable organization.
Although I am still fairly young and have a lot of learning and experience ahead of me, it is one of my greatest hopes that this vision will be seen through by not only my personal means but by people like you who long to help and do something beyond what they normally do for the benefit of others.
I have one example of a recent project that I’d like to share with you all. It is a short introduction to a DVD I along with a young photographer created for a Pregnancy Crisis Center located in West Houston.
There is also a longer behind-the-scenes video for anyone interested in more information about the project and how it was put into action.
Finally, I would like to share that I will be in a meeting for another similar project for an organization called “The Success for Life Through Reading” program. They are dedicated to providing college aged volunteers to reach out to low-income families and preschooled children. Part of their activities is donating books and reading out loud to the kids. Later this afternoon we’ll be discussing a very important series of videos they want to produce for the program to help recruit, train new members, and inform parents of the importance of reading in early development and love for literacy. If you’d like to learn more about the program visit the following site:
I know there is a lot we can do together and am thoroughly excited to see what the future holds.
Thank you for your time and Blessings to you all.
My first senior portrait session:
I realize it’s been sometime since my last written post but I hope you’ve been enjoying the occasional photos I’ve been posting in the mean time. As some of you may know, I am currently a college student and am just starting a career in photography and film production so my experience may seem limited along with the amount of projects I share. Although this is somewhat a disappointing fact, it is my goal to see through the inexperience and make fascinating discoveries that I wish to share with you all. You can think of this blog in the light that I am indeed an inexperienced photographer, but! I know a lot about the basics and theory of our mutual subject and am confident in applying them. Because some of you may be just as inexperienced as I am, maybe together we can make mistakes and walk away from it with a better understanding of our craft. It is my hope, however, that I’ll be the one making more of the mistakes so that you won’t have to. And with that I’d like to get into my next “first” project.
This weekend I’ll be heading down to Waco Texas to take pictures of a high school senior who is also a fellow Boy Scout and friend I once worked with at a scout ranch for a summer. He’s a talented musician, passionate about youth group activities, and is considering a major in linguistics; he is non-other than Austin Lane.
This weekend I plan to visit various locations, experimenting with natural light and a little bit of fashion. As I plan to get there a day ahead of our planed shoot, this will give us some more time to discuss locations and some “outfits” the “model” would be interested in wearing to compliment the mood and his unique personality.
I’ll be limited in gear, but will make due. It is part of my philosophy that, “A little budget and little resources can only guarantee more creativity,” for as some of you know, the less we have the more creative we have to be with what we DO have and to achieve what we want. You may end up using a large satin bed sheet instead of an expensive high quality reflector you would buy at B&H, or you may have to plan a day of outdoor shooting because you don’t have set of expensive strobes. Now these are some essential tools but they should not limit your creativity because you don’t have them.
After all, and I quote Chase Jarvis, “The best camera is the one that’s with you.”
And as a crazy frizzled haired teacher used to say, “Make mistakes, take chances, and get messy!”
Plenty more to come!